[ES] Situándose entre la investigación multidisciplinar y la creación, se presenta como un proyecto abierto, libre y colaborativo centrado en su origen en la idea de paisaje sonoro y a la conservación de la memoria sonora, poniendo en valor el patrimonio cultural inmaterial, el fomento de la participación social en la construcción de dicho patrimonio y el estudio, registro, representación y contextualización del paisaje sonoro de la comarca Matarraña/Mataranya.

La aportación específica de la artista es un archivo sonoro geolocalizado en formato de cartografía, basado en una API de Google Maps. El formato colaborativo permite a quien lo desee, incorporar sonidos en las coordenadas donde estos hayan sido grabados, acompañados de una pequeña ficha explicativa. El archivo de catalogación y análisis es la utilización de diferentes estrategias para la conservación de la memoria sonora en múltiples trabajos de campo específicos. A través de la experiencia física, (re)crear espacios de sensibilidad con el paisaje, el caminar como dinamizador temporal. De la historia y la experiencia, tanto como fenómeno de comunicación con el espacio, el territorio, de como nos afecta, qué interpretamos y cómo sentimos nuestro cuerpo en el paisaje, el natural y el urbano, cómo dialogamos con el y en el.

La finalidad es plantear cuestiones relacionadas el entorno; el paisaje, la experiencia y la memoria. Se busca establecer mecanismos y ofrecer herramientas para reconsiderar el conocimiento desde la escucha y proponer nuevas formas de representación; el caminar como practica artística.

Anna Katarina Martin
Artista residente MONROYART, 2018

[ENG] Bringing together people from different areas with the common denomination as living in Monroyo and the surroundings. This work process will lead to the design of three itineraries with several stops on relevant places to the group. Invite the local agents to participate in these walks and discover their multiple views on them, as well as the dynamics developed for this purpose.
Walk and create meaning, emotions and memory. Being, us the citizens, responsibles for the creation of our common spaces and their significance in the day-to-day life. Through this methodology try to experiment and investigate how the image of our place of origin or residence can be formed by and for its inhabitants, as a tool for identification, creation of meaning and identity.
The activity will have two parts, the first dedicated to walking, individually or in groups, collecting as much information as possible through methodologies explained in advance. The second one will be dedicated to share of the generated materials, discuss about the experience and reflect related to the personal stories. Use these experiences an expository samples to generate a showthat include all the contributions from the participants; photographs, diagrams, drawings, objects, sound recordings, all together etc.

Situated between multidisciplinary research and creation, the project is presented as an open, and collaborative focused on originally on the idea of sound landscape and the conservation of sound memory, putting value on intangible cultural heritage, promoting social participation in the construction of this heritage and the study, registration, representation and contextualization of the sound landscape in the Matarraña / Mataranya region.
The specific contribution of the artist is a geolocated sound file archive in a cartographic format, based on a Google Maps API. The collaborative format allows anyone who wants to incorporate sounds on the coordinates where they have been recorded, accompanied by a small record card. The use of different strategies for the conservation of the sound memory in multiple specific field works in a a file archive for registry, catalaoging and analysis. Through physical experience, (re) create sensible spaces within the landscape, the walking as a a temporary activation. History and experience, as the phenomenon of communication with space, territory, as how it affects us, what we interpret and how we feel our body in the landscape, natural and urban, the way we dialogue with and in it.

The purpose is to introduce issues related to the environment; the landscape, the experience and the memory. The aim is to establish mechanisms and propose new tools to reconsider knowledge out out listening and suggest newforms of representation; walking as an artistic practice.